I’m Lei Huang — a writer and filmmaker based in Hangzhou. This is the longer version: growing up in Tianmen, leaving, coming back, and trying to understand China while it is still changing at speed.
I grew up in Tianmen, spent years in Hangzhou, Shanghai, and Berlin, and came back to Hangzhou — and the country I returned to was moving faster than the one I’d left.
That gap is what this website is trying to look at carefully. Not as policy, not as macro-commentary, but as landscape, food, architecture, trains, small towns, and the texture of ordinary afternoons.
I was born and raised in Tianmen (天门), a small city on the Jianghan Plain in Hubei: flat river country, deep farming roots, old cultural memory, the hometown of Lu Yu, and not far from the Shijiahe archaeological site. I grew up poor and without much support, so movement always felt less romantic to me than necessary.
I spent two years at Alipay in Hangzhou, then three years in Shanghai working independently as a solo developer, and then another three years in Berlin at Klarna. The software years were real work, and good work. I didn’t leave them because that road was closed to me. I started leaning toward writing, film, and fieldwork because they gave me a wider way to pay attention.
Coming back also changed how I saw Tianmen itself. The place I grew up in used to feel poor, overlooked, and short on options. Now it feels tied into the larger speed of a fast-growing China: better roads, city renewal, new public spaces, faster links to Wuhan and the wider region, and a hometown that no longer looks frozen in the version I left. That shift matters to me. Part of what I’m writing toward is how a place, and a person, both change when the ground under them starts moving.
A condensed version of the places that mattered, and why. The cities are fixed. The way I look at them isn’t.
I grew up in Tianmen, in the flat river country of central Hubei. We didn’t have much money or much support, and that scarcity shaped how I think about ambition, movement, and what it means for a place to change.
Two years building payment systems at Alipay, learning how much of daily life technology can quietly disappear into when it works well.
Shanghai was the chapter where I learned to carry the whole shape of the work myself, not just one piece of a larger machine.
I moved to Berlin and stayed longer than I expected. Work paid the bills; the real education happened on trains, in Brandenburg lakes, and in notebooks.
The Alps, Zurich, Annecy, Brandenburg — the longer I lived away, the more sharply China came back into focus.
I moved back to Hangzhou and started giving writing, film, and fieldwork the center of my attention, without pretending the years in software had been a mistake.
Writing essays about a fast-changing China, filming slow video pieces, and building toward a guiding practice for travelers who want the country explained by someone walking through it in real time.
Not a metric dashboard. Just the current shape of the project.
Counted from the current published archive
Email is the best way. I reply carefully, not quickly. For guiding, editorial work, licensing, or a thoughtful note about something you read, that’s the right door.